René Guénon
Chapter 4

INTRODUCTION TO THE HINDU DOCTRINES

condition for the personal realization of that 'Knowledge' which partakes of the Absolute. Words like 'religion', 'philosophy', 'symbolism', 'mysticism', and 'superstition', are here given a precise meaning. Part Three presents a more detailed examination of the Hindu doctrine and its applications at different levels, leading up to the Vedanta, which constitutes its metaphysical essence. Lastly, Part Four resumes the task of clearing away current misconceptions, but is this time concerned not with the West itself, but with distortions of the Hindu doctrines that have arisen as a result of attempts to read into them, or to graft onto them, modern Western conceptions. The concluding chapter lays down the essential conditions for any genuine understanding between East and West, which can only come through the work of those who have attained, at least in some degree, to the realization of 'wisdom uncreate'—that intellective, suprarational knowledge called in the East jñāna, and in the West gnosis.

Guénon often uses words or expressions set off in 'scare quotes.' To avoid clutter, single quotation marks have been used throughout. As for transliterations, Guénon was more concerned with phonetic fidelity than academic usage. The system adopted here reflects the views of scholars familiar both with the languages and Guénon's writings. Brackets indicate editorial insertions, or, within citations, Guénon's additions. Wherever possible, references have been updated, and English editions substituted.

The present translation is based on the original work of Marco Pallis. The text was checked for accuracy and further revised by Brian Latham, and John Ahmed Herlihy. A special debt of thanks is owed to Cecil Bethell, who revised and proofread the text at several stages and provided the index. Cover design by Michael Buchino and Gray Henry, based on a drawing of the 'Rape of Soma', a relief from Bodomi, Cave IV (sixth century AD), by Guénon's friend and collaborator Ananda K. Coomaraswamy.